Course Content

• Students must learn not only the very fundamental methods and crafts according to the great Constantin Stanislavski and the School of Method Acting from whom the latter derived, but also the very intimate relationship between himself and the film medium and its mechanics; the camera, the lighting, the frame, the editing.
• Knowing how the actor thinks and feels, how he researches for and understands a part, as well as how he concentrates and ultimately immerses himself into the character’s mind to perform.

Assessment

Assessment is done through repeated exercises and detailed evaluations.